Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

3.06.2012

L.A. Weekly: Cassette Tapes Are Back. Ask Your Mom to Mail Your Old Jambox.

"I grew up collecting and listening to cassette tapes and records," said Phil Shaheen, drummer for Los Angeles indie band Tijuana Panthers. "I like the fact that cassettes are in again and that cool little labels are putting them out." The band released its album, Max Baker, as a limited-edition tape through Kill/Hurt, a Hollywood cassette-only label.

It's true, cassettes seem a little ridiculous at first. They're bulky, you have to flip them in the middle of an album, and cassette players aren't widely available. But cassettes provide benefits digital media can't, and they're back.
At 70 cents a tape, an artist can get small batches of music in the public's hands for less money than a CD or vinyl record. Michael McKinney, president of M2 Communications, a Pasadena duplication company, puts out between 6,000 and 10,000 tapes each month. Orders have picked up, mostly due to indie bands.

Read  more on L.A. Weekly

1.24.2012

Q&A with Dublab's Mark "Frosty" McNeill

Mark McNeill by dublabrat on Flickr
Mark McNeill, co-founder of Los Angeles online radio station Dublab, chats about how he got his start in radio at the University of Southern California, his first experiences recording audio as a kid, his collection of unusual cassette tapes, and why he thinks cassettes are still around.

Read the full article on Neon Tommy.

1.09.2012

The unpaid internship: some call it a right of passage, but in most cases, it’s illegal

Creative Commons
During an unpaid internship at a youth football camp in the summer of 2011, Matt Leland, a senior Broadcast Journalism major at the University of Southern California, wasn't told he would be required to pay for his own transportation to the camp locations. This included flights to and from San Francisco to Colorado and San Diego, and a train to Los Angeles. Leland estimates spending over $1,000 in transportation costs during his internship.

"The most ridiculous thing about the internship came at the conclusion of the Colorado camp," said Leland. A supervisor asked him to drive a large truck full of equipment from Colorado to San Francisco. "This meant canceling my already-paid-for flight, getting into a vehicle I had no idea how to drive, and spending the next two full days on the road with a lot of expensive equipment that I was suddenly responsible for," said Leland. "Luckily, I was able to find someone who actually had experience doing this before being roped too far into it. . .but I still think it's ridiculous that I was even asked, considering the circumstances and my lack of compensation."

A national survey found almost 75 percent of college students take-on at least one internship during their time at four-year schools. The survey, conducted by Intern Bridge in 2010, included over 42,000 students at 400 universities. Of those interns, almost 20 percent reported they didn't get paid or receive school credit for working, making the work illegal.

"I think it's a mixture of free labor and the desire to educate students," said Faith Xue, a senior Communication major at the University of Southern California, on the motivation for companies to hire interns. "I've had five internships and they've varied in terms of how much I feel like the company or boss actually cares about what I learn and [them] using me solely to do the work they don't want to do."

Xue worked without pay or school credit for a surf and fashion magazine based in Santa Monica, Calif. during the summer of 2011. "I expected to gain experience learning the ins and outs of what it takes to produce a magazine and hopefully exercise some reporting and writing skills," she said. The internship touched on this, but mostly involved menial, day-to-day tasks to assist her manager. "I was asked by one of my bosses to research cleaning companies in the area," said Xue. "A week later, she asked me if I could clean, dust and Swiffer the entire office space…completely disregarding the fact that I had emailed her cleaning company options a week before. She asked me to 'especially clean the bathroom, because it's terrible in there.'"

"Two weeks later, she asked me if I could clean the bathroom again, because I was 'so good at it last time.'  So for the second time, I was on my hands and knees scrubbing the floor and toilet of this magazine's bathroom," said Xue.

To be considered legal, an unpaid internship must comply with the Fair Labor Standards Act (FLSA). The act spells out six qualifications, summarized below, allowing a company to hire "trainees" that do not qualify as employees.

The Supreme Court deems an internship meeting all of these qualifications legal:

  • The training is similar to education received in a vocational school and is for the benefit of the student.
  • The trainees work with a close supervisor and do not take the place of paid employees.
  • The employer doesn’t receive any direct advantage from the work, and sometimes “his operations may even be impeded” by providing the internship.
  • The trainee is not entitled to a job at the end of the period and understands he will not receive payment.


Although many unpaid internships don't follow these regulations, students continue to accept them due to an extreme pressure to gain experience, boost résumés, or make connections.

A senior Cinema-Television Production major at the University of Southern California, who asked to remain anonymous, interns for a prominent Los Angeles writer and director’s production company. “Between me and his assistant, we pick up his kids from school, we take them to their sports lessons, their after-school activities… we tell his kids when to do their homework. I know their schedule better than my own at this point,” he said.

Running an errand—a trip to the vet with his boss’s dog—the intern had to spend $170 of his own money to pay the fee. “Usually the companies are good about reimbursing…but it’s always awkward asking and I find that I’m too focused on the job I’m doing to really keep a good track of all my own receipts, so I’m not usually able to get reimbursed,” he said.

"In the film industry you’re expected to be someone’s bitch for years, even after you graduate. But I’ve had really good experiences... and overall it’s been worth it,” he said.

A survey conducted by the National Association of Colleges and Employers found that over 76 percent of companies reported relevant work experience was the critical factor in making hires. Often, adding internships to résumés is the only compensation students receive for their work.

"[Being] an intern is almost like a rite of passage, but a very important one. Sometimes they are given daunting tasks but everyone has had to do it. It is almost like a way of paying your dues," said Meredith Strober, who has seen both sides of the experience as a former intern in the entertainment industry and a former manager for a Discovery Communications' internship program.

"I think students get internships so they have better chances of receiving a job after graduation. Employers like to see that a recent graduate has experience in the real world. It is also a great way for college students with limited connections in their industries to get a foot in the door," said Strober.

Nearly 20 percent of large for-profit companies, defined as those with more than 5,000 employees, have unpaid internships, according to Intern Bridge. This doesn’t include the massive programs run by nonprofits, government offices, and small for-profit companies.

With 4,200 employees, Discovery Communications—the parent company of 13 U.S. networks including Discovery Channel, Animal Planet, and TLC—operates an extensive internship program in eight locations nationwide. "There were several departments that had interns in the L.A. office, such as production, development, education, ad sales, etc.," said Strober, estimating about 20 interns cycled through the Los Angeles office every semester.

The company, like many others, requires that students receive school credit as compensation. For many students in summer internships, this means paying money to enroll in an internship course at an academic institution if they are not taking summer school. At the University of Southern California, students must enroll in a class of 2-4 units to receive credit. At $1,420 per unit, this means between $2,840 and $5,680 of a student's own money in order to receive credit and abide by the FLSA.

Academic advisors recommend taking an internship course at a community college to avoid the hefty price tag of USC tuition. A course at Los Angeles City College costs $226 per unit for out-of-state and $36 for in-state students. "Even though it's probably not transferable, it will be a lot less expensive," said an undergraduate academic advisor at USC.

In an effort to make a good impression on employers, students make sacrifices to make the most out of their internships. "I was basically his assistant—I would schedule all of his meetings, doing his personal assistant stuff all the time, from home when I wake up and sending emails during class," said the Cinema-Production major of his two-day-a-week internship for the CEO of a prominent production company. "It's always worth it, you have to work your ass off for these places and I love doing that because if you show them that you care, they’ll care about you too."

11.09.2010

What L.A. offers up-and-coming bands that the local market can't

A big fish in a small pond, or a small fish in a big pond. Many life decisions involve this dilemma, and navigating the music industry is no exception. Except in this case, the fish are bands living in local- or major-market waters.

Small towns appeal to musicians because of their local markets and ability to provide a fan base, but large entertainment cities such as Los Angeles and New York glow with possibility and lure aspiring musicians to move and become famous.

But which is better for aspiring bands? Is a relocation, possibly across the nation, really beneficial or will a new band get lost in a sea of hopeful artists all fighting for the same big break? Musicians must face these concerns in the decision whether or not to move to a new city to pursue music.

"I just moved here from Austin with the intention of moving my music career forward," said Jonathan Nesvadba, a 28-year-old local musician on his recent move to L.A. "With so many people living here having the intention of making a career in the music industry, I think L.A. is still a good place to learn how to make it just because of all the connections you can make with like-minded people."

Nesvadba, a bass player in the Austin-based band Paul Banks and the Carousels, moved to L.A. with no job or place to live in order to book shows for his band, become acquainted with the city's venues and find more opportunities to work in the music industry.
Jonathan Nesvadba works in his Austin
recording studio. (Paul Banks and the Carousels)

Musicians are willing to take these risks moving because cities like L.A. offer more opportunities due to the sheer number of venues, labels and other bands concentrated in one area.

"The cool thing about L.A. is you're always going to be able to get a gig somewhere somehow, and getting face time with a crowd is always a step in the right direction," said Alec Leverette, a student living in L.A. "It's about the number of venues."

Unlike other cities, L.A. is a must for any touring band and playing the city ensures its music will be heard by record labels and fans alike.

"The music scene is pretty amazing," said L.A. singer-songwriter and student Gianni Visciano. "You can go online to your favorite band's website and you better believe they'll be coming through soon enough. And then you look up that venue's calendar and see more and more of your favorite bands are going to be there soon."

The plethora of live music keeps the city alive with a bounty of choices every night of the week. Although some see the multitude of up-and-coming bands as competition, other artists see them as inspiration and a network where young bands can help each other.

"There are so many small pre-modern theaters such as the Orpheum downtown that have great shows every night," said Visciano. "As a musician L.A. is an amazing place to see live shows and play."

Small towns provide a loyal fan base to local bands that can become popular in the city's smaller market.
Lindsay Rae Spurlock plays a local bar in Baton Rouge,
a smaller market. (Lindsay Rae Spurlock)

"Musicians stay local because it is comfortable, and because they believe in focusing on a familiar market before taking their business to a competitive environment like LA, Nashville, or NYC," said Andrew Saunders, a junior majoring in music industry. "I also know that a lot of bands will stay local because of a supportive environment, especially in cities like Austin, Portland, and Seattle."

Many music-centric cities appeal to bands that fear getting lost in a giant market or are more comfortable in environments that embrace the indie-music culture and are dubious of the big labels.

Although smaller local markets are attractive because of their loyal fan base, the energetic L.A. music culture can also offer fans to new bands.

"I think the reason that the music scene is so great is because the audience is here to support it and the resources ––venues, festival coordinators–– are here to expose it," said Meghan Murray, co-author of an L.A. fashion and music blog, The Rad Diaries. "It's all about the culture man, the fans are what makes the musician famous and if a few mustached, tattooed dudes with a banjo show up at Amoeba [an L.A. music store] for a free show, their audience is bound to like them."

The experience varies depending on a band's style of music, talent and determination. The right city is unique to each performer and group. Listen to singer-songwriter Lindsay Rae Spurlock share her personal journey moving through various markets and why she ended up in L.A.